Copyrighted Material INTRODUCTION ThePoem The Age of A nxietybeginsinfearanddoubt,butthefourprotagonists findsomecomfortinsharingtheirdistress.Ineventhisaccidental andtemporarycommunitytherearisesthepossibility ofwhat Auden once called “local understanding.” Certain anxieties may be overcomenotbythealtering ofgeopoliticalconditionsbutbythecultivation of mutual sympathy—perhaps mutual love, even among those whohoursbeforehadbeenstrangers. The Age of AnxietyisW.H. Auden’slastbook­lengthpoem,hislongest poem, and almost certainly the least­read of his major works.

(“It’sfrightfullylong,”hetoldhisfriendAlanAnsen.)Itwouldbeinterestingtoknowwhatfraction ofthosewhobeginreadingitpersist totheend. Thepoemisstrangeandoblique;itpursuesinahighly concentratedformmany of Auden’slong­termfascinations.Itsmeter imitatesmedievalalliterativeverse,which Audenhadbeendrawnto as an undergraduate when he attended J.R.R.

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The Age of Anxiety is W. Auden's last booklength poem, his lon gest poem, and almost certainly the leastread of his major works. (“It's frightfully long,” he told. 2 quotes from The Age of Anxiety: A Baroque Eclogue: 'We would rather be ruined than changedWe would rather die in our dreadThan climb the cross of the.

Tolkien’s lectures in Anglo­Saxonphilology,andwhichclearlyinfluencesthepoems ofhis earlytwenties. Kpg 49d 420 download software. The Age of Anxietyislargelyapsychological,orpsychohistorical,poem,andthesewerethecategoriesinwhich Audenpreferredtothinkinhisearlyadulthood(includinghisundergraduate yearsatOxford,whenheenjoyedtherole ofconfidentialamateur analystforhisfriends). Thepoemalsoembraces Auden’sinterestin,amongotherthings, thearchetypaltheories ofCarlGustavJung,Jewishmysticism,English murdermysteries,andthelinguisticandculturaldifferencesbetween EnglandandAmerica.Woventhroughitishisnearlylifelongobsessionwiththepoeticandmythological“greenworld” Audenvariously calls Arcadia or Eden or simply the Good Place. Auden’s previous longpoemhadbeencalled“ TheSeaandtheMirror:ACommentary on Shakespeare’s The Tempest,“ and Shakespeare haunts this poem.

When it was first published in 1947, The Age of Anxiety--W. Auden's last, longest, and most ambitious book-length poem--immediately struck a powerful chord, capturing the imagination of the cultural moment that it diagnosed and named.

Beginning as a conversation among four strangers in a barroom on New York's Third Avenue, Auden's analysis of Western culture during the Second World War won the Pulitzer Prize and inspired a symphony by Leonard Bernstein as well as a ballet by Jerome Robbins. Yet reviews of the poem were sharply divided, and today, despite its continuing fame, it is unjustly neglected by readers. This volume--the first annotated, critical edition of the poem--introduces this important work to a new generation of readers by putting it in historical and biographical context and elucidating its difficulties. Alan Jacobs's introduction and thorough annotations help today's readers understand and appreciate the full richness of a poem that contains some of Auden's most powerful and beautiful verse, and that still deserves a central place in the canon of twentieth-century poetry.

Alan Jacobs is the Clyde S. Kilby Professor of English at Wheaton College in Illinois. His books include Original Sin: A Cultural History, The Narnian: The Life and Imagination of C. Lewis, and What Became of Wystan: Change and Continuity in Auden's Poetry.

'Princeton University Press's new critical, annotated edition of The Age of Anxiety seeks to repair and renew contemporary readers' relationship with the poem. That it should triumphantly succeed in this task, however, has less to do with unraveling the poem's intricacies than with clearly showing how its many knots are tied. In an expansive preface and through rigorous textual notes, editor and Auden scholar Alan Jacobs outlines the circumstances of the poem's composition, traces the relations between psychology and religious belief as they play out in the text, and firmly situates the work in its historical moment.. It can only be hoped that this handsome new edition brings The Age of Anxiety to a new 'pitiful handful'. Those lucky few will discover in its pages one of the last century's great, and greatly neglected, poems.' --Geordie Williamson, Australian.